Tiberian vocalization

The Tiberian vocalization, Tiberian pointing, or Tiberian niqqud (Hebrew: נִיקוּ×" טְ×'ֵרִיָנִי) is a system of diacritics (niqqud) devised by the Masoretes of Tiberias to add to the consonantal text of the Hebrew Bible to produce the Masoretic Text. This system soon became used to vocalize other Hebrew texts as well.

The Tiberian vocalization marks vowels, stress, and makes finer distinctions of consonant quality and length, and also serves as punctuation. While the Tiberian system was devised for Tiberian Hebrew, it has become the dominant system for vocalizing all forms of Hebrew, having long since eclipsed the Babylonian and Palestinian vocalization systems.

Consonant diacritics

The sin dot distinguishes between the two values of ש. A dagesh indicates a consonant is geminate or unspirantized, while a raphe indicates spirantization. The mappiq indicates that ×" is consonantal rather than silent in syllable-coda position.

Vowel diacritics

The seven cardinal vowel qualities of Tiberian Hebrew are indicated straightforwardly by distinct diacritics:

The diacritics qubutz and shuruq both represent /u/, but shuruq is used when the text uses full spelling (with waw as a mater lectionis). Each of these vowel phonemes could be allophonically lengthened; occasionally this length is marked with metheg. (In this function metheg also can indirectly indicate when a following shva is vocal.)

The ultrashort vowels are slightly more complicated. There were two graphemes corresponding to the vowel /ă/, attested by alternations in manuscripts like ארֲריך~ארְריך, ואשמֳעָ×"~ואשמְעָ×".‎. In addition, one of these graphemes could also be silent:

Shva was used both to indicate lack of a vowel (quiescent Å¡wa, shva nah) and as another symbol to represent the phoneme /ă/ (mobile Å¡wa, shva na), the latter also represented by hataf patah. The phoneme /ă/ had a number of allophones; /ă/ had to be written with shva rather than hataf patah when not pronounced as [ă]. Before a laryngeal-pharyngeal, mobile Å¡wa was pronounced as an ultrashort copy of the following vowel, e.g. וּ×'ָקְעָ×" [uvÉ"qÉ"̆ʕÉ"], and as [Ä­] preceding /j/, e.g. תְ×"ֵמְּיוּ֫נִי /θăðammÄ­juni/. Use of ḥataf vowels was considered mandatory under gutturals but optional under other letters, and varies considerably among manuscripts. This is referenced specifically by medieval grammarians:

If one argues that the dalet of 'Modecai' (and other letters in other words) has hatef qames, tell him, 'but this sign is only a device used by some scribes to warn that the consonants should be pronounced fully, and not slurred over'.

The names of the vowel diacritics are iconic and show some variation:

The names of the vowels are mostly taken from the form and action of the mouth in producing the various sounds, as פַּתַ֫ח opening; צֵרֵ֫י a wide parting (of the mouth), also שֶׁ֫×'ֶר) breaking, parting (cf. the Arab, kasr); חִ֫ירֶק (also חִרֶק) narrow opening; ח֫וֹלֶם closing, according to others fullness, i.e. of the mouth (also מְלֹא פּוּם fullness of the mouth). קָ֫מֶץ also denotes a slighter, as שׁוּרֶק and קִ×'ּוּץ (also ק×'וץ פּוּם) a firmer, compression or contraction of the mouth. Segôl (סְ×'וֹל bunch of grapes) takes its name from its form. So שָׁלֹשׁ נְקֻ×"ּוֹת (three points) is another name for Qibbúṣ. Moreover the names were mostly so formed (but only later), that the sound of each vowel is heard in the first syllable (קָמֶץ for קֹמֶץ,‎ פַּתַח for פֶּתַח,‎ צֵרִי for צְרִי); in order to carry this out consistently some even write Sägôl, Qomeá¹£-ḥatûf, Qûbbûṣ.

Cantillation

Cantillation signs mark stress and punctuation: metheg may mark secondary stress; maqqaf conjoins words into one stress unit, which normally takes only one cantillation mark on the final word in the unit.

See also

• Babylonian vocalization
• Palestinian vocalization
• Niqqud

References

Bibliography

• Blau, Joshua (2010). Phonology and Morphology of Biblical Hebrew. Winona Lake, Indiana: Eisenbrauns. ISBN 1-57506-129-5. 
• Sáenz-Badillos, Angel (1993). A History of the Hebrew Language. Cambridge University Press. ISBN 0-521-55634-1. 
• Yeivin, Israel (1980). Introduction to the Tiberian Masorah. Scholars Press. ISBN 0-89130-373-1.